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Education is the prerequisite for us to be able to handle the challenges we face as individuals and as a society. How can museums form a framework for active learning processes that are situated and contextual? And what are the consequences for the collection, research and curating practice when museums form the framework for negotiations about conflictual material, attaching importance to dilemmas and critical thinking? It is necessary to challenge perceptions of a linear view of history in order for museums to consider their authoritarian knowledge and a backward-looking view of contemporary challenges and future solutions.
What is needed is a reflective museological practice and thus a continual debate about what a museum is, and which function museums should have in society. How can museums reflect modern, professional content and thereby generate value, including by being institutions for the development of citizen competences? These practices cannot be unfolded unless museums start to analyse their spatial distribution of power relations and their asymmetrical knowledge hierarchies, on which narratives about memories and history are built.
Ian Chamber, professor of cultural studies and post-colonial studies, addresses this question: Any object, monument or museum, just like any memory or history, is inevitably caught and suspended in these networks. The statistical material from the User Survey and the rest of the Danish society confirms the necessity of this. The reality is that museums are run by men.
Museum boards are primarily occupied by men; museum exhibitions are dominated by masculine narratives and art collections, and acquisitions are overrepresented by male artists, while at the same time, the proportion of female users at museums continues to rise. Nobel Prize winner in economy Amartya Sen addresses these conditions in his book Development as Freedom: She encourages men and women alike to revitalise the fight for equality by having both institutions and individuals assume responsibility. She has great faith in young women and writes as follows: I also hope that you — each and every one of you — are sufficiently ambitious so as to compete for every opportunity in your career and to help lead the world.
You should know that the world is just waiting for you to change it. Women across the world are counting on you. So therefore, ask yourselves: What would I do if I dared? And then go and do it. Cosmopolitan Edward Said confirms this when phrasing his experience of his own self in the following way in his autobiography Out of Place: I prefer this to the idea of a solid self, the identity to which so many attach so much significance. That scepticism, too, is one of the themes I particularly want to hold on to. With so many dissonances in my life I have learned actually to prefer being not quite right and out of place.
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In this context, it may also be relevant to discuss whether we can create better conditions for strengthening the relation between research and practice and cultural politics, both in Denmark and the EU and at a global level, as it appears to be the same systemic challenges that affect museums throughout the world. Researchers have started identifying a new phenomenon that has manifested itself as a loss of long-term memory and thus a lacking ability to immerse oneself. It does not make the museums less relevant and it places a greater responsibility on them to unfold the spirit of place carefully based on the atmosphere. Thus, it speaks to the part of the human brain that is currently shrinking because no places or media are speaking to it.
It is necessary to rethink the museum institution, prioritise and acknowledge museums as public social knowledge centres and learning spaces. Museums need to create a framework for flexible and dynamic platforms for a practice that challenges the institutional framework. No Ads, exclusive Content. Kisses with tongue and super. For your safety and privacy, this link has been disabled. Offering exclusive content not available. However, we cant control the thai massage gentofte gangbang porno content of the websites we link to or the search phrases entered by the visitors of our site and, therefore, cant be held responsible for broadcasting such content or phrases.
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