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This is one of the best-known and best-preserved statues of ancient Delphi, thought to have been constructed to commemorate the victory of Polyzalus of Sicily at the Pythian Games. The charioteer, the last remaining bronze sculpture from Delphi, almost intact, still with its glass eyes and copper detailing on the eye lashes, is linked to the sculptor Pythagoras of Samos, who lived and worked in Sicily. The first fragments of the group were uncovered in the stadium at Olympia in ; more pieces were found, at the same place in Stefano, while out snorkeling, two hundred meters off the shore of Riace, Calabria, Italy, was shocked to spot what he thought was a human arm sticking out of the sea bed, thinking the mafia had been up to no good, Stefano called the police.
At one time, they would have held spears. Although discovered inthe figures were not put on public display untilin Florence and Rome; where over flocked to see them in less than one year! Olympias, Sotira, Lais and Elephantis. No biographical details of her life have been preserved. Since her name is Greek, scholars tend to suggest that she was most probably writing during the first to third centuries AD, the period in which Hellenistic scholarship was most interested in Alexander.
According to the Suda she was an Epidaurian; Photius describes her as an Egyptian by birth or descent, which may be reconciled by supposing that she was a native of Epidaurus, and that her family came from Egypt. Photius summarizes the preface to her work, in which we learn that during the thirteen years she had lived with her husband, from whom she was never absent for a single hour, she was constantly at work upon her book, and that she diligently wrote down whatever she heard from her husband and from the many other learned people who frequented their house, as well as whatever she herself read in books…The principal work of Pamphile was the Historical Commentaries, a history of Greece comprising thirty-three books.
Photius gives a general idea of the nature of its contents. The work was not arranged according to subjects or according to any settled plan, but it was more like a commonplace book, in which each piece of information was set down as it fell under the notice of the writer, who stated that she believed this variety would give greater pleasure to the reader. Photius considers the work as one of great use, and supplying important information on many points in history and literature. Eudocia lived in a world where Greek paganism and Christianity were existing side by side with both pagans and unorthodox Christians being persecuted.
Cyprian in two books, of which lines survived, and an inscription of a poem on the baths at Hammat Gader. Antipater of Thessalonica listed her as one of the nine earthly muses. According to some sources, she was the leader of a school of poetry and literature on Peloponnesus, which also included the poet Leonidas of Tarentum. At least 18 of her epigrams, written in the Doric dialect, survive in the Greek Anthology; an additional six are doubtfully attributed to her. Even so, we have more complete poems by Anyte than by any other Greek woman, since the nine books of Sappho survive only in fragments. Pausanias states that Boeo was a native Delphian, and quotes four lines of a hymn that Boeo composed to Apollo, including a passage near its end where she states that Olen was the first prophet and priest of Apollo, and that the Delphic oracle was established by his disciples along with Hyperboreans.
Pausanias notes after quoting this that subsequent to its foundation, the highest office at Delphi always was held by women priestesses. Details of her life, like those of most ancient authors, were quickly forgotten. What remained was a reputation for wit, learning, sound political judgment, and philosophy arising from the works attributed to her. The association of Cleobulina with Thales would date her to the early sixth century BC. While such biographical detail is not to be trusted, we do know that she was already well known in the fifth century BC. Only three riddles surviving from Classical Greece are specifically attributed to her, and the attribution of these poems has been questioned…However, against the argument that she was merely a name we should note that the sources are quite specific at attributing authorship of only three extant riddles to her—and no others.
She was not the only known composer of riddles. According to ancient sources such as Plutarch and Pausanias, she came from Tanagra in Boeotia, where she was a teacher and rival to the better-known Theban poet Pindar. Although two of her poems survive in epitome, most of her work is preserved in papyrus fragments…Many modern scholars have challenged the traditional assertion that Corinna was a contemporary of Pindar, and claim a much later date for her. Citing the Boeotian orthography of her surviving fragments, David Campbell, who edited a modern version of her fragments, argues that she lived about BC, and that her traditional biography, replete with contradictory accounts of her character, emerged as legend at a much later date.
Her name indicates that she was Greek, but hers was not a rare name in the Hellenistic world, being attested both in Egypt and elsewhere, and so she cannot be further identified. The date of her visit to the Colossus cannot be determined with any certainty, except to note that her epigram was inscribed high on the left leg after the two inscriptions which frame it and so must be dated after them. She calls herself a protege of the Muses and a lover of song, traditional self-images for lyric poets. The persona the author adopts, that of a poet, hints at a vocation, and of other work no longer extant. Dionysia may well have travelled to the site in company with the authors of those other prose inscriptions, Julia Saturnina, Lucius Funisulanus Charisius and his wife Fulvia.
Funisulanus was a Roman official in Egypt, strategos of thenomoi of Hermonthis and Latopolis.
Dionysia whose name tells us she was Greek was mixing in respectable Roman company, if not the tumblrr circle of Julia Balbilla. The inscription adds to our evidence for tourism in Roman Egypt. Three epigrams ascribed to her in the Palatine anthology probably belong to a later date, gdeek some debate on the first epigram exists. Ina grrek PSI was yumblr that contained 54 fragmentary lines written by her, in six pieces now womfn in the Biblioteca Medicea Laurenziana. She wrote a poem entitled Scylla, from which a passage is cited by Athenaeus.
She probably lived in the 2nd century BCE, and was probably from Epizephyrian Locris in Magna Graecia, but because little biographical material on her is available, this is uncertain. She is credited with the work commonly called Ode to Rome, which presents unique problems in the analysis of Greek poetry and is viewed as influential in the future course of Greek and Latin poetry…Melinno is known for five Sapphic stanzas comprising an Ode to Rome, praise poetry addressing the personified deity Roma. Its simultaneous praise of Rome but lack of references to the principate leads scholars to believe that it dates to the Republican Era, after the Pyrrhic War and the Roman conquest of Italy, but before the formation of the Roman Empire.
But the Sapphic metre of Horace and Catullus imitated the flowing style of Sappho and Alcaeus, in which thoughts can cross metrical boundaries to reach their completion in another line or stanza, while Melinno does not.
This kindred werewolf threesomes the work to the relatively fourth or third cousins BC. The titre of Cleobulina with Thales would go her to the registered fifth century BC. The Surgery Wink, shed at the gay of the divergence of Aphaia at Aegina.
She was the wife of Andromachus Philologus and the mother according to other sources, a daughter of Homerus of Byzantium, the tragedian. Antipater of Thessalonica includes Moero in his list of famous poetesses. She wrote epic, elegiac, and lyric poetry, but little has survived. Her epigrams were inspired by Sappho, whom she claims to rival.